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Purely from an optical perspective, our favorite all-purpose lens on this list is the Sony Vario-Tessar T* E 16-70mm f/4. } The 35mm f/1.8 is a very nice option, as is the 50mm f/1.8. Coverage google_ad_width = 728; The Zeiss build and glass dont hurt either. If money isnt an issue, grab the 16-70mm f/4. In 2020, you can get a point-and-shoot camera With the quality of digital cameras continually improving and prices falling, $500 or less can buy you an excellent digital camera in 2017. Every camera lens produces an image circle, and the size of this circle is called coverage. However, there are a number of considerations. We close every Friday evening to Saturday evening for Shabbat. The coverage of an image circle must be large enough to cover the sensor or film being used. The good news is that the collection of E-mount lenses is expanding and there are viable options in all categories. One qualm we have with this lens is that 18mm is very widefor most landscape and wide-angle travel shots we prefer focal lengths from 21mm to 24mm. However, the optical performance of the 16-50mm is merely decent overall. However, one downside is theweight: 15.1 ounces makes it the second heaviest lens on the list behind only the 18-200mm.See the Sony 18-105mm OSS. Thelow light performance isnt optimal, but thats the only real optical weakness of the lens. automatic exposure, including AF and aperture. We would love to see a faster E-mount telephoto lens from Sony down the road, but until then the 55-210mm does just fine for most people.See the Sony 55-210mm OSS. Either of these lenses can give you the creamy bokeh and low light performance that you just wont get from the f/4 lenses above. Works well at F/2.8 in both the If youve used a full-frame camera before, crop factor can be very helpful in choosing your lenses. For these reasons, its one of the top mirrorless cameras on the market for travel and the outdoors. We generally have mixed feelings about all-in-one lenses: they are extremely convenient and can serve as the only lens in your bag, but they dont excel at any particular focal length like a purpose-built prime or zoom. Category: All-in-one35mm equivalent: 27-300mmWeight: 18.5 oz.What we like:The most versatile lens on this list. width: 700px; Although a lot of people only upload images to Instagram from their smartphones, the app is much more than just a mobile photography platform. -->. .table_d2e17 td { Its great for those that like to get really close to the foreground and have big, open images, but weve never used an 18mm as a workhorse. border: 1px solid; International orders are processed the next shipping day. It performs best from about 20mm on, so those who frequently shoot landscapes should consider adding a specific wide-angle lens. Category: Portrait35mm equivalent: 90mmWeight: 6.5 oz.What we like: One of the sharpest lenses on this list.What we dont: No image stabilization. So for this upcoming event we will attend, it will be the 12mm f2 that will be my best option for both video and stills. border: 1px solid; The Sony 50mm f/1.8 is one of the best values of any E-mount lensits sharp all the way to the corners and strong in low light with a maximum aperture of f/1.8. For more background information, see our lens comparison table and buying advice below the picks. If you want professional-grade telephoto images, youll probably have to step up to full-frame camera that has more lens options. TheSony Alpha a6300 represents a major jump from its predecessor, featuring 4K video and improved autofocus that is among the best in the business. This Sigma for 'E' mount lens has an equivalent focal length In this buying guide weve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. is very expensive, but well worth it if this is your required focal length. See the Sony 16-70mm OSS. Would you say that lens is my best shot at very low light video in a reasonable form factor? The Tamron 17-70mm offers a lot of bang for your buck. border: 1px none; Its a full stop faster than the Sony 10-18mm, has excellent sharpness, minimal distortion, and good color rendition. If your subject is close up, your gonna be screwed trying to get everything in focus, but I suspect that you won't be that close to the parade anyway. The short answer is yes. Few people want to double the price of the a6300 for an f/4 lens, and we feel that $998 is just too much to spend. If you are on the sidewalk right near where the parade passes by, then you might consider the Samyung 12mm F2, which is what I plan to use. What we like most is the fast maximum aperture of f/1.8, which will give you the bokeh and low light performance that make people and indoor photos really pop. 144 There is noticeable distortion and softness compared to some of the pricier zooms and primes on this list, and particularly at the wide end. Sony 18-135mm F3.5-5.6 OSS APS-C E-Mount Zoom Lens. width: 700px; .table_d2e33 { low light milky way type shots. Choosing lenses and focal lengths for landscape photography has a lot of layers, and its a topic I wish I researched more before jumping in. If your willing to bump iso higher, that would be your best bet. I had my mind set that I was going to purchase the SEL35F18 lens to go along with it as it has OSS and a 1.8 aperture. A lens Create a B&H Account, America's Best Customer Service List-Newsweek, Prices, specifications, and images are subject to change without notice. } What we dont: Feels bulky on the Sony a6300. Lenses can be classified as either Zoom or Prime. border-color: #cccccc; . The idea makes more sense if you may consider upgrading to a full-frame Sony mirrorless camera down the road, but in our opinion FE lenses generally are too expensive and heavy for use on the a6300. All in all, we think the Sony 10-18mm f/4 OSS is the top wide-angle zoom on the market (there currently arent faster wide-angle zoom optionsbut we expect that to change down the road). Personally, I'd try to save up for the Sony 16-50mm if at all possible, but the optical qualities are very similar Sony APS-C mirrorless cameras like the a6300 have a 1.5x crop factor, meaning that a 50mm lens will behave like a 75mm lens would on a 35mm camera. Deal. resolution, and not focusing speed or using video, this is the lens to get. Stopping down to F/2 loses the slight veiling haze, and F/2.8 becomes critically sharp in the Serv. There are a range of adapters to choose from, including cheaper models that dont connect as well to the cameras autofocusing system and pricier models that are closer to normal. Lenses for Alpha a6300 Mirrorless Digital Camera with 18-135mm Lens (Silver), Sony