If we tilt it down, the graver will dive deeper. Thrift store pitch bowls and Rokusho pots: http://followingtheironbrush.org/viewtopic.php?f=31&t=1107, Excellent tutorials on inlay, patination, Japanese art alloys, file and stone finishing: http://www.jimkelso.com/tutorialshub.htm, Shirley Temple Scrapers for Contemporary Engravers: http://followingtheironbrush.org/viewtopic.php?f=9&t=1472, Simple Engraving for Knifemakers: An Addendum. If you dont have easy access to engravers or chaserss pitch(http://www.northwestpitchworks.com), dont fret. Above, Ive carefully engraved all the lines. Ive chosen the easiest and cheapest way for you to create and sharpen a successful graver, but the system is not free. Plus, HSS comes ready to use you dont do any heat treatment. Notice Ive rotated the pitch bowl 180 degrees so I can approach the other line from the safe direction. Of course, with diligence and careful work, hammer and chisel engraving can accomplish the same thing. Deeper to a point, that is, until the graver is buried so deep you cant hit it hard enough to make it go deeper, or something breaks. I only use round carbide burrs. The old joke about carving an elephant really is whats happening here Im simply taking away anything that doesnt look like a dragons head. The little spot right behind the line is the fulcrum this lever rests on. I cut too shallow starting at the red arrow on the right, causing my line to be toonarrow. Ive turned the pitch bowl around again, and Im deepening towards the blade side. Heres a link to an excellent tutorial for cutting the Running Wheat Border at the Engravers Cafe: http://www.igraver.com/runningwheat/, Engraving Forums: http://www.engravingforum.com http://www.engraverscafe.com, Toms Web Site: http://www.sterlingsculptures.com/ You can still see the tool marks from the tiny carving bur. With minimal tools, master engraver Sam Alfano teaches old school hammer & chisel engraving. With a little practice, you can get pretty fast at this operation, but dont get too far ahead of yourself, bounce the punch out of the cavity and mar the uncarved part of the blade. Thats far smaller than your wandering and wavering line, so people will spot the problem right away. Im trying to keep things relatively smooth, and a nice transition from deep to shallow on the edge. Engraving might cause your significant other to kill you, however. When finished engraving Im told wetting the metal and glue joint with alcohol and waiting a few moments, the workpiece can be popped out of the glue. The first pass removing the interior is done and Im now starting to deepen the center. Youre not forging here, bladesmith. Ive used 4 laser printer transfers here, one for each of the four faces so they all will look exactly the same. Ive noticed that all professional engraving tools involve prices measured in hundreds. This stuff dulls the shine on steel, can be drawn on with a pencil, and helps me see my laser printer transfers better. These are fairly small , light hammers, but with wide faces. I dont want an unpleasant surprise here I need all the factors working for me, not against me. (comes with Universal 116 degree V template) $89.00 Above, Ive deeply engraved the penciled lines on the scrap bar, to closely resemble the matching area on the dagger handle. This is an integral misericorde/poniard kind of dagger thingy Im working on, 15 inches overall length of forged square cross section 1045 steel bar, with hand filed finish on the pommel and blade. For the chisel part, Lindsay also sells one here(Stainless Chisel that holds 3/32 square gravers for hammer/chisel engraving):http://airgraver.comal Graver Tools. To start the cut, you will first have to get the point of the graver to stick in the metal. I use a small torch with a soft flame (close off the air holes) to warm the pitch, then set in the metal workpiece. If you do find you wish to continue in engraving, this sharpening system will be of daily use to you. Originally produced for the Bladesmiths Forum, August 2012: http://www.bladesmithsforum.com/index.php?showtopic=24166. Carbide Carving Burrs: http://www.lascodiamond.com/products/stndcbhp.htm, How To Carve Steel Wormy Wood: http://forums.dfoggknives.com/index.php?showtopic=12650&st=0&p=114619&fromsearch=1entry11461 Above are my two not-so-well H&C engraved lines. If the center of your design isnt as good a place to start, then start a short distance from the edge, then come back and complete the cut back out to the edge. Instead, think of a drunken man staggering home aimlessly from a bar a 2 AM. Making do with inexpensive and inadequate tools only makes everything more difficult in my opinion. Now I need to do something about the tool marks left inside the cavity. Buying high quality tools that work and make life easier is probably the best way to go. If you check out this thread on the Engraving Forum (http://www.engravingight=networking), you can probably find an engraver near you to go visit. In decorative engraving you can tilt the graver to make wider and narrower cuts for artistic effect, but here we only want a consistent width and depth. Dont try to engrave hardened or tempered steel. Then begin tapping the back of the graver holder with the hammer. Ive begun carving away the area in front of the eyes, and the rear skull areas. Above is the finished texturing in raw steel color. You can only engrave a short portion of a curve with hammer and chisel before you must stop and reposition the work by turning the block. Hi , i cant find chisel for engrave in Turkey can you guys know anyother alternative for that ? They are largely dependent on the design, and sometimes you WILL BE FORCED to violate the rules just because Mother Nature is an uncaring bitch. Ive also removed the excess metal in front of the snout. Now, I have to admit, I never use hammer and chisel in my engraving, as you can probably see from the view of my unskilled cut above. A Dremel will work fine as well, although a slower flexshaft machine like a Foredom wont work quite as well. Since you are a bladesmith, think of the tiny point of a graver as a very high performance knife that must be sharp, stay sharp, function absolutely predictably, fail as seldom as possible and be quick to get back into the fight if it does fail. Lather, rinse, repeat until youve filled the entire excavation. Some of the best engravers could sharpen a nail on the sidewalk and create a masterpiece. You would do well to check out what he and other talented metalworkers do on: http://followingtheironbrush.org. Im not using the simple hammer and chisel graver we used in the tutorial, Im using my pneumatic Lindsay Airgraver and stereo microscope for all of this engraving. You can see the dramatic difference between the smoother punched surface and the tool marks on the other side left by the burs. I suspect the beeswax quench is gentle enough that the punch doesnt get completely glass hard and shatter when used. Above is an image of several engravers using hammer and chisel, and some of their holding methods. They are designed to have wide faces so you can hit the back of a narrow graver while not looking at it. Above is the finished result in bare metal (top) and cold blued (bottom). We must engrave and carve this transition BEFORE we harden the blade. this little cast iron bowl rests in a rubber doughnut, and is 2/3 filled with lead, then with pitch. A note here: I havent tried this. Kanazuchi Hammer making tutorial: http://www.thecarvingpath.net/forum/index.php?showtopic=915 Above is an image of the forward end of the dagger handle and a scrap piece of the 1045 square steel bar. Best of luck! I use a cold ball peen hammer to push the warm pitch around with. GRS sells the GRS Dual Angle Sharpening Fixture (see above). And here is the finished version after a little cold gun blue, looking more like it will when finished after heat treating. You cannot make as smooth an outline using burs as you can with the graver. Use our custom tool to discover more about the hand engraving tools youll be using in your new craft. Sorry to turn this into a lecture, but this is the key to success in engraving. Most of them I make and sharpen with the Lindsay Sharpening System templates. Annealed or normalized steel, yes. If you wish to use one of these devices, here is a link to instructions on how to grind the Lindsay Graver Point geometry (see bottom of Web page): http://airgraver.com/engraving_graver.htm Youll have to agree to a patent license agreement, but it is free. The same rules apply here concerning safe directions. After that, an engravers vise, and then the sky is the limit. The point of a graver is a tiny thing, it doesnt take much heat to ruin the temper. And heres the cavity completely excavated. I have a hardened punch with a shallow curved face. Of course, weve only cut a few lines, but with practice, youll realize that a complex engraving is simply a collection of engraved lines. This tutorial WILL NOT make you an engraver. Heres what the finished result should look like. You must understand that engraving is difficult at best and it has a LONG AND STEEP learning curve. Dont skimp on the sharpening fixture and either the diamond bench stones or the drillpress setup. And here, Im putting in one of the heels. I look at it the way Doc Martin does, if you buy cheap you get cheap.. Buying nice quality tools is a good investment. The carbide bur works the same way. Notice the texture inside the engraved areas of the transition. It may not display this or other websites correctly. It has taken several passes with the graver to get this deep. I just move the diamond lap by hand a few inches. When I made the three hammers from the Lynton McKinsey handouts that Sam put in the Tips Section I discovered my cheap hammer was way too heavy. Above, Ive used my smallest carbide bur to scribble texture the carved out parts. Another thought is if you have a large, common bench vise that has the feature where you can loosen a screw and get the vise to turn horizontally. Its much easier to start a cut in a gently curving arc than in a tight curve, because were going to have to turn the work around and cut the other way, joining the two cuts unnoticeably in the middle. I dont personally know any engraver who hand sharpens gravers today. This company in Istanbul manufactures gravers. Since this tutorial is for knifemakers, were going to use knife steel and not pussy foot around with soft metals like copper, brass or nickel silver. Of course if we were able to color inside the lines back then, we probably wouldnt be bladesmiths now.. Once Ive completed outlining the blade side, Ill do the other side, turning the pitch bowl around for proper safe direction Sigh, Engraving a Classic Adams Trout Fly eBook, Making Gold Cherry Blossom Inlays for Engravers eBook, Making Buckskin Pouches and Bags Simplified Instructions eBook, Celtic Line Drawing Simplified Instructions, Making Small Scrapers for Contemporary Engravers, Free eBook How to Carve Netsuke and Miniature Sculpture, Carving the Spawning Sockeyes Netsuke Tutorial, Instructions for making Buckskin Pouches, http://www.bladesmithsforum.com/index.php?showtopic=24166, http://www.grstools.com/tool-sharpening/power-hone/sharpening-fixtures.html, http://airgraver.com/engraving_graver.htm, http://www.engravingschool.com/private/Lindsay%20Sharpener.htm, http://www.lascodiamond.com/products/stndcbhp.htm, http://www.bladegallery.com/shopdisplayproducts.asp?id=721, http://airgraver.com/Hand_Engraving_Tools_Overview.htm, http://forums.dfoggknives.com/index.php?showtopic=12650&st=0&p=114619&fromsearch=1entry11461, http://www.thecarvingpath.net/forum/index.php?showtopic=915, http://www.thecarvingpath.net/forum/index.php?showtopic=920, http://followingtheironbrush.org/viewtopic.php?f=31&t=369&p=11805, http://followingtheironbrush.org/viewtopic.php?f=31&t=1107, http://followingtheironbrush.org/viewtopic.php?f=9&t=1472, Toms Interview with The Makers Garage Carbide3D, Making Gold Cherry Blossom Inlays for Engravers, Toms eBook, Celtic Line Drawing Simplified Instructions, Toms Interview with The Makers Garage Carbide3D Magazine. Outstanding Metalwork artist Jim Kelso: http://www.jimkelso.com/, Lindsay Graver Sharpening Templates and Diamond Wheels: http://airgraver.com/sharpening.htm JavaScript is disabled. If you feel some nobility in doing it the purist way, have at it, but when you use your bandsaw, drillpress, angle grinder and UPS delivers your supplies to your doorstep with a truck instead of a donkey, I have to question your sense of purity. One other thing. Heres one of my sharpening setups in my little Sherline mill, about the same as the Lindsay lap mandrel in a drill press. The angle between this magic segment and the long axis of the graver is called the lift or heel angle, and if we keep the graver at that angle while in the metal, the graver should go straight and level, and make a constant width line. If you can't get good concrete nails, try Ramset nails used in a Ramset gun. By the way, Im doing the engraving, carving and texturing of the blade portion BEFORE heat treating the blade. Youre wearing a dust mask and eye protection, right? To remove the metal from the pitch, I heat the metal up with a small flame (or heat gun) and when the pitch is soft, I jam my cruddy bench knife into the pitch below the edge of the metal and gently pry the metal up. I REALLY recommend the drill press route, Sharpening Fixture without stones Have a look at the Running Wheat Border it looks great circling a guard, or along the edges of an exposed full tang. You can order these carbide burs at: http://www.lascodiamond.com/products/stndcbhp.htm I have no business interest or relationship with this distributor, either. Above is the Universal 116 degree fixture, shown here with a diamond bench stone for hand sharpening. It is especially noticeable around the eyes, which Ive left standing proud of the surface. Safety Note: If this were a real knife, be sure and tape the blade so you dont cut yourself! There are many, many ways to make a workable graver IF YOU KNOW HOW, or have an experienced engraver at your side to teach you. Fatih: If you can't find any email me your address. Above is the one I made and occasionally use. PS a heat gun on low power really works well for this. Good luck! Use a scribe to draw in anything that didnt transfer. You can texture the face by tapping it onto your diamond lap (use the very inside edge of the lap for this, you cant reach there with your graver during sharpening), or by tapping onto various grits of sandpaper, or files. The carving process really is a continual refinement of the form, carving a little on one side, then turning and repositioning the metal in the vise to carve the corresponding part on the other side, just to keep things as symmetrical as I can. Heres the link: http://www.engravingschool.com/private/Lindsay%20Sharpener.htm. If you have a drillpress, shown above is the Lap Mandrel Adapter for converting a drillpress to a power hone (about halfway down the page):http://airgraver.comAVER SHARPENING. The engraving world is full of grey beard engravers horror stories of their apprenticeships;I wasnt allowed to do anything during the first (fill in the blank with a number) years except learn to hand sharpen a basic graver. You can see the dark line behind the business end of the graver thats as far as I had to move it to put in the almost microscopic heels. Even though for this kind of dagger Ill only be hardening about two thirds of the blade, the rapid cooling during the quench close to the engraved/carved area will still affect the hardness somewhat. document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() ); 900 Overlander Rd Emporia, KS 66801, 5 gravers and QC tool holders for various techniques, Quality wood handles and chasing hammer for precision work, Includes DVD with instructional video for a better learning experience. If you lose control of the bur should it suddenly gain unexpected traction, the damage will occur to the right, not the left. In fact, if you have a question about sharpening your graver, I wont bother to help unless you post a picture of your sharpening setup! Watch it, dont scratch the metal (use a piece of wood if its something easily scratched), and the metal will be HOT. Youll also need an engravers hammer, or at least a small ball peen. http://www.grstools.com/tool-sharpening/power-hone/sharpening-fixtures.html The bur will damage the edge and also whatever is over the edge. You can see the design Ive drawn on the metal with a fine tip Sharpie permanent marker. I think this will work fine on the dagger. Think of it like the powered wheels of you car when you step on the accelerator, your wheels turn in the forward direction, gain traction and the car begins to move. A small ballpeen hammer will work well enough for you to try this, but an engravers hammer will be lot more enjoyable if you intend to keep engraving. Simple. Ill use my smallest carbide bur to make a scribble texture. A hint here: The most difficult cut in engraving is a straight line. I dont have a requirement to make things harder than they need to be. Once Ive completed outlining the blade side, Ill do the other side, turning the pitch bowl around for proper safe direction. Both of these are well made, adjustable sharpening systems that will produce reliable results. Trust me on this The only problem with H and C is the LONG learning curve to get acceptable results in any kind of complex engraving. You WILL break MANY graver tips. And, above, is the finished carving after forging/sculpting/planishing in raw steel color. Ive heard under proper conditions the human eye can see things as small as one ten thousandth of an inch. The white stuff you see on the blade is white permanent marker. Most professional and serious hobby engravers use power sharpeners time is money and enjoyment. Notice Im following the safe direction rule. Were going to begin the cut somewhere in the center of the broad curve of the blade side outline (red arrow). And, finally, youll need some graver blanks (start out with the inexpensive HSS gravers, about halfway down the page):http://airgraver.comal Graver Tools. Above an image through the microscope, cold gun blued to provide a better photograph. But, lets get a few things straight up front, so no one has any illusions. If you follow the scribbly lines you will see that Im deliberately wandering around, trying to keep any hint of a pattern out of the process. I use my cruddy not-so-sharp bench knife or a sharp wooden edge to scrape off the large globs of pitch, followed by lacquer thinner or mineral spirits to clean off the rest. For our first engraving exercise were going to make an attractive transition between the blade and handle of our knife. I reverse the procedure to get it out when finished. Heres what you want to start with Lindsay Graver Sharpening System:http://airgraver.com/sharpening.htm A note here: I am not employed by Lindsay Engraving, nor do I receive any sort of benefit from Lindsay Engraving. The Lindsay tool web site has an excellent tutorial for that, as well as an excellent video. Just so you know! A months experience using it is probably the equivalent of several years experience with hammer and chisel. It may take several tries to get this right. As in the example above, Ive engraved two lines on each face of the diamond cross section blade. In the above image, I will be carving up to the left hand line. However, that said, there are some excellent shortcuts available today that will definitely help. And, above, the same with the cold gun blue for better visualization. You need to warm the metal workpiece as well to get the pitch to stick well. Please do it somewhere else. If you feel you simply have to strike out on your own to rediscover fire and reinvent the wheel, knock yourself out. The general idea here is to cut a smooth line, without any jagged edges or kinks, at a constant depth and width. I have neither the time nor the inclination to answer a hundred questions about why the graver you cobbled together wont work. Note, however, that these are NOT hard and fast rules. So, thats it. http://followingtheironbrush.org/viewtopic.php?f=31&t=369&p=11805 Above are a couple of examples of this kind of transition between the blade and the handle. Youre about to start out on a path of many very bad habits, more expensive than smoking and at least as addictive. Short heels are for the tight turns. Insert the graver back in the cut, you should be able to gently reposition it into the same place with a little finesse, and begin cutting again. Sorry I overlooked that! Youll have to do a little experimentation here to figure it out, thats why were not practicing on a real knife. For a better experience, please enable JavaScript in your browser before proceeding. More carving, excavating the face, mouth area and eyes. Dont let this fool you, however. Its really easy for the viewer to notice a slight kink in a straight line. Above, the finished head. Bench stone 600 diamond grit $39.00 For those wanting to learn the traditional way or for those with a really tight budget, this will get you in the game very inexpensively. A while back Joseph the engraver posted his bare bones set up, big smooth round river rock for a vice, deep sea fishing hooks for graver blanks and a smaller river rock for a hammer. In this case, rather than moving the workpiece, the engraver will walk around the vise as needed. Raymond J. Wielgus - Art Institute of Chicago, the Hand Engraving Podcast: Ep.9 the Case For Hand Push Engravingis on the air. You must log in or register to reply here. I begin the texture by making small scribbles up and down along the line on the left. Toms BladeGallery Page: http://www.bladegallery.com/shopdisplayproducts.asp?id=721, Best source of metal carving info on the Internet: http://followingtheironbrush.org/ They make sharpening a piece of cake. roger: you better keep your nails. An optivisor will be helpful. Dont skimp on practicing straight lines. These are all different shapes and sizes of the gravers I use pretty much daily. As far as knifemaking is concerned, some immediately useful engraving are things like what weve just done here with decorative transition. Ive also gone back and re-cut all the lines to clean them up. Yes, I know Im cheating. There are quite a few additional templates (the clear plastic parts above) available to make and sharpen other types of gravers, most of them under $25. Heres the alternative method I mentioned before. There are lots of ways to make and sharpen a graver. See, sometimes things do work out. I have already done the heat treatment on the dagger, but I think the handle is far enough away from the hardened area to not cause problems. Heres a little more practical example of simple engraving on an actual knife. Hence the diamond stones or laps. Try to start a straight line at the end and cut all the way to the other end. You can see the two sizes of burs Ill use above. And, finally, finished with cold gun blue, directly from the punch. If you want to learn the traditional methods of hammer and chisel engraving this kit is for you. If you have a good relationship with your dentist, he/she might give you some used ones. Thats the Magic Segment in between the green arrows in the image above. On this one point its my way or the highway. Most engravers are like the bladesmiths and blacksmiths on this forum friendly and helpful. Above, the carving using the carbide burs is finished. And, above, after bluing and burnishing with a little 4/0 steel wool. I have some extra gravers I can send you. All just to avoid buying a $6 HSS graver blank? Above, Ive been working on the left side of the head (the right side of your screen) with the punch in the Lindsay Airgraver. Above are the engraved lines to replicate the shape on the handle. Ours is only going to be half of the above, as for a single edged knife rather than these double edged examples. There is a safe direction and a not so safe direction. Of course, with just about everything in this world there are those with a champagne appetite on a beer pocket book. And, above, is my Hamler Fixture (no longer commercially available). Much smoother and more attractive than the tool marks from the carbide bur. Engraving isnt an art where you can just toss it back into the forge and fix a missed hit or straighten it and try the bend again. Total (not including shipping) $158.00, And let me repeat the one piece of wisdom you need to understand It is the business end of the graver (the cutting point/face and heels) that will determine if you make a success of this. Hardened or tempered, no. I didnt engrave anything for the first 23 years, and they wouldnt let me touch a gun for another 35 years yada yada yada. Above is the first part of the grinding. More grinding, moving out more into the center. When using power sharpeners to shape gravers, HSS wont be damaged by heat build up like simple carbon steels will. Im not brave enough to steal my better halfs hot glue gun. Im still not touching the engraved outside part of the line, just coming close to it. Above is a view through the microscope. A little note here, steel wool will burnish steel without removing the patina, but in my experience will remove patina on non-ferrous alloys of copper, silver, gold, shibuichi, and nickel. In the above two images you can see my paper laser transfer and the viking head after engraving in the lines. Lap Mandrel Adapter for converting a It is not a cold chisel. Note I havent removed the outside of the engraved line, and Im left with a nice smooth looking edge. New to engraving or stonesetting? Heres my theory of how gravers operate. Above is the smaller of the two Universal templates in use to grind the basic top and bottom facets on the graver. A test drive and a little face time will go a long way towards answering your questions and encouraging you, and will shorten the learning curve dramatically. All I can say is practice, practice, practice, and then practice some more. If, for instance, I started around the edges and then went into a decreasing spiral inside, this would leave a noticeable pattern and a less pleasant appearance. May you find as much joy as I have in this long but rewarding path. The surface the Lindsay template rests on needs to be 1/2 an inch below the top surface of the diamond lap. These are just plain brilliantly foolproof tools and fixtures. To answer a previously asked question, why do you need High Speed Steel (HSS) gravers? The pitch doesnt stick well to cold metal, as long as it has enough mass to resist being warmed by the pitch. I will eventually go back in with a very small graver and re-cut all of the lines. You can figure those out on your own, were going to jump right into the deep end. The benefit of HSS isnt so much in the using, its in the sharpening and not ruining the temper due to heat build-up from a rotating diamond disk. Round the end that you hammer on, and chamfer the end with the graver so you dont mar your engraving. So, when we are carving very close to a line we dont want to damage, the safe way to approach the line is to keep it to the left side of the bur ( as shown above). I use a stereo microscope for almost all of my work, but Im getting a little long in the tooth and my eyes arent what they once were. What I have tried to do here is show the simplest, most inexpensive but also foolproof method of doing the one thing in engraving you MUST do well to be successful. It is ONLY intended to give you the tiniest sip from the engraving fire hose, and allow you to determine if you have any interest in engraving. Im going to VERY carefully carve away HALF of the two lines we so painstakingly cut. Period. This little rule of thumb doesnt work as well for a straight line. Yep, there's always the rock and concrete nail! Above is the beginning of a practice helmeted viking to go on the rear ends of the dagger handle, again penciled in over white permanent marker.